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SUMMARY:Community ConversationNext Gen Playwrights
DESCRIPTION:Next Gen Playwrights: Beyond the Struggle\nSaturday\, November 21st\, 2020\n7:00PM-8:30PM \nLocation: Streamed Live on the True Colors YouTube channel \nKenny Leon’s True Colors Theatre Company\, in partnership with Working Title Playwrights\, brings to you Next Gen Playwrights: Beyond the Struggle\, a timely Community Conversation on the narratives being shaped by emerging BIPOC (Black\, Indigenous\, People of Color) playwrights in the Atlanta community. Presented by the City of South Fulton Parks\, Recreation and Cultural Affairs\, this conversation will be moderated by award-winning author and playwright\, Pearl Cleage (Blues for an Alabama Sky\, Flyin’ West). \nWATCH REPLAY ON YOUTUBEAfter watching\, be sure to complete our brief survey!In addition to the TCTC YouTube channel\, the event will be viewable via the City of South Fulton’s Department of Parks\, Recreation and Cultural Affairs’ Facebook at @SouthFultonPRCA. \nOur Panelists:\n\n×\nClarissa Crawford\nTrue Colors’ Associate Producer\nClarissa Crawford is a creative producer whose practice is shaped by the intersections of art\, community\, and activism. She uses her experience in project management\, storytelling\, and cultural organizing to curate experiences that help inform\, empower\, and distribute resources to artists and communities of color across the South. \nShe has previously worked and consulted for one of Hollywood’s top talent and literary management agencies\, produced bi-coastal artist showcases between Los Angeles and New York\, and executed live and digital experiences for media and entertainment entities such as Sony Pictures Entertainment\, Walt Disney Studios\, NBC Entertainment\, and BET. \nClarissa holds a Masters in Creative Producing and Theater Management from the California Institute of the Arts (CalArts)\, and accreditation as an Independent Producer from UCLA.CloseClarissa Crawford (Host)\nClick Image for Bio \n\n\n×\nPearl Cleage\nPearl Cleage is an Atlanta based writer\, currently Distinguished Artist in Residence at the Tony Award winning Alliance Theatre. Her new play Angry\, Raucous\, and Shamelessly Gorgeous\, had its world premiere as a part of the theatre’s 50th anniversary season in 2019 and is scheduled for productions around the country when the theatres reopen next year. Her other plays premiered at the Alliance include Pointing at the Moon\, What I Learned in Paris\, Blues for an Alabama Sky\, and Flyin’ West\, the most produced new play in the country in 1994. Her play The Nacirema Society Requests the Honor of Your Presence at a Celebration of Their First One Hundred Years was commissioned by the Alabama Shakespeare Festival and co-produced with the Alliance in Montgomery and Atlanta in 2010. Her first play for young audiences\, Tell Me My Dream\, was commissioned and produced by the Alliance in 2015. Her book for children\, co-authored with her husband\, writer Zaron W. Burnett with illustrations by Radcliffe Bailey was a part of the Mayor’s Reading Club in 2018 and distributed free to 15\,000 Atlanta children. It was presented at the Alliance as a play for the very young in March\, 2020 and is currently streaming through the Alliance website. Cleage recently completed work on Sit-In\, an animated film for young audiences about the sit-in movement in conjunction with Picture the Dream\, a national exhibition sponsored by Scholastic Books\, currently on view at the High Museum. Blues for An Alabama Sky was included in the 1996 Olympic Arts Festival and has been produced in multiple American theatres every year since it premiered at the Alliance in 1995. The Alliance included a 20th anniversary production in their 2015 season\, directed by Susan V. Booth. The play ran off Broadway at the Keen Company in New York in 2020 and is scheduled for a production at the National Theatre in London in 2021. Some of her other plays include Late Bus to Mecca\, Bourbon at the Border and A Song for Coretta. She recently completed her first Radio play\, Digging in the Dark\, for the Keen Company’s 2021 season. \nHer first of 8 novels\, What Looks Like Crazy On An Ordinary Day\, was an Oprah Book Club pick and spent nine weeks on the New York Times bestseller list. Her other novels include Baby Brother’s Blues\, which received an NAACP Image Award for Literature\, I Wish I Had A Red Dress\, Babylon Sisters\, and Things I Never Thought I’d Do.  Her memoir\, Things I Should Have Told My Daughter: Lies\, Lessons and Love Affairs\, was published by Simon and Schuster/ATRIA Books in April\, 2014. She is also the co-author with her husband\, writer Zaron W. Burnett\, Jr.\, of We Speak Your Names\, a praise poem commissioned by Oprah Winfrey for her 2005 Legends Weekend\, and A 21st Century Freedom Song: For Selma at 50\, commissioned by Winfrey for the 50th anniversary of the 1965 Selma to Montgomery March. Cleage and Burnett are frequent collaborators including their award-winning ten-year performance series\, “Live at Club Zebra!” featuring their work as writers and performance artists. Cleage was awarded the Governor’s Award for the Arts in 2018. She received an Honorary Doctorate in Fine Arts from her alma mater\, Spelman College\, in 2010 and spent two years as a member of the Spelman faculty. She was the founding editor of CATALYST Magazine\, an Atlanta-based literary journal\, for ten years and served as Artistic Director of Just Us Theater Company for five years. Her work has been given grant support through the National Endowment for the Arts\, the Fulton County Arts Council\, the Georgia Council for the Arts\, the City of Atlanta Bureau of Cultural Affairs\, and the Coca-Cola Foundation. \nClosePearl Cleage (Moderator)\nClick Image for Bio \n\n\n×\nDana Stringer\nWebsite: www.danastringer.com\nDana L. Stringer is a commissioned playwright\, poet\, screenwriter\, and writing instructor with a Masters of Fine Arts in Creative Writing from Antioch University Los Angeles. She currently serves as an adjunct instructor in the inspiration2publication program for the Continuing Education Program at Antioch University Online. Her course offerings and workshops have included: Transforming Poetry into Theatre: Adapting Poems for the Stage\, Writing a Producible One-Act\, Mask Appeal: Creating Compelling Persona Poems\, and Turning Thoughts\, Memories\, and Life Experiences into Poetry. Dana is the author of the poetry chapbook\, In Between Faith. Her poetry has also appeared in the African American Review\, Rogue Agent\, and Blackberry: a magazine. She is a member of the Dramatist Guild and Working Title Playwrights. Her most recent play\, We the Village\, was selected for Theatrical Outfit’s Made in Atlanta new play development program and the Unexpected Play Festival (2020)\, as well as Working Title Playwright’s First Light Series (2018). Some of her latest short works have been virtually presented by Alabama Shakespeare Festival\, The Billie Holiday Theatre\, Out of Hand Theater\, and Black Theatre Network. A combination of her produced plays\, staged readings\, and interdisciplinary art have been presented by Theatrical Outfit\, Vanguard Repertory Company\, Ain’t I a Woman Playfest\, Blue Pearl Theatrics\, National Black Theatre Festival\, Fade to Black Play Festival\, MoJo Fest\, Coleman & Smith Artistic Company\, and NAACP 10-Minute Play Festival. Dana is a native of Louisville\, Kentucky currently residing in Atlanta\, Georgia. \nCloseDana Stringer\nClick Image for Bio \n\n\n×\nSuehyla El-Attar\nWork: Click Here\nTwitter: @Suehyla\nInstagram: @suehylaelattar\nSuehyla El-Attar is an award-winning actor and playwright based in Atlanta\, GA\, with an acting career spanning over 20 years and a 15-year writing career. \nShe’s worked in multiple theatres across the Atlanta area in various capacities\, including but not limited to:  The Alliance Theatre\, Horizon Theatre\, Synchronicity Theatre\, Essential Theatre Company\, Dad’s Garage\, and 7 Stages. Suehyla is a first-generation-born-in-America\, Egyptian Muslim who was raised in Mississippi — most of her fodder for writing is an unfair advantage. She’s continues writing\, is a teaching theatre artist\, an up and coming stage director\, and a SAG-AFTRA actor in film/tv. She lives happily with her guy and their two cats in Decatur. \nCloseSuehyla El-Attar\nClick Image for Bio \n\n\n×\nParis Crayton III\nWebsite: www.ParisCrayton3.com\nParis Crayton III is an award-winning playwright\, actor\, and director. He has written over 50 plays\, 21 of which have been produced around the country. He was one of ArtsATL’s “30 under 30” and one of the Atlanta Journal Constitution “Artist to Watch.” Creative Loafing named him 2014’s “Best Local Playwright.” Critics have called him “a powerful dramatist” and praised him as “One of the most important playwrights of our time.” His plays have been presented and/or workshopped by The Lark\, Classical Theatre of Harlem\, Aurora Theatre\, Clark University\, Working Title Playwrights\, Stage Door Players\, Rising Sage Theatre\, 3 Hill Productions\, Atlanta Black Theatre Festival\, Beth Marshall Presents\, Indianapolis Fringe Festival and more. \nCloseParis Crayton III\nClick Image for Bio \nUse this button to RSVP! Although an RSVP is not completely necessary since we have decided to stream the event through Facebook and YouTube\, we realize that some of our patrons may prefer it.\nOur Partners:Our Sponsor:True Colors’ Community Conversation series is proudly sponsored by Bryan Cave Leighton Paisner.
URL:https://truecolorstheatre.org/event/community-conversationnext-gen-playwrights/
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DTSTART;TZID=UTC:20201204T200000
DTEND;TZID=UTC:20201204T220000
DTSTAMP:20201210T025812Z
CREATED:20201124T053944Z
LAST-MODIFIED:20201210T025812Z
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SUMMARY:Frame of Mind
DESCRIPTION:Frame of Mind\nA peaceful protest takes a violent turn\, and witnesses must piece together the frame of mind of the accused in hopes of finding closure.\nFriday\, December 4\, 2020\n8:00 PM \nLocation: YouTube Live \nKenny Leon’s True Colors Theatre Company’s Fall 2020 internship class presents\, Frame of Mind\, a devised compilation of the work culminating the new Digital Playmaking Internship. After ten weeks of meetings\, classes\, guest artists and creating\, these talented individuals\, from across the US\, will present their work to our True Colors Theatre family. There is suspense\, emotion and entertainment as we tell those stories that are TRUE to YOU. This year’s internship class is comprised of students from Howard University\, Emory University\, Clayton State University and University of Oklahoma.  All would love to have you join for 75 minutes of storytelling at its best. Log on and be a part of the experience. For more information\, visit us at truecolorstheatre.org or register at https://www.eventbrite.com/e/frame-of-mind-tickets-130320639541 \nWatch the Replay
URL:https://truecolorstheatre.org/event/frame-of-mind/
LOCATION:GA
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DTSTART;TZID=UTC:20210123T190000
DTEND;TZID=UTC:20210123T203000
DTSTAMP:20210126T025326Z
CREATED:20201217T011523Z
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SUMMARY:Black Theatre and the Black Lives Matter Movement
DESCRIPTION:Black Theatre and the Black Lives Matter Movement\nDate: Saturday\, January 23\, 2021 \nTime: 7:00PM-8:30PM \nLocation:\nTCTC Facebook Live and YouTube Live \nPresented in partnership with B.L.A.C.T ATL\, Inc. (Black Leaders Advocating Cultural Theatre)\, Black Theatre and the Black Lives Matter Movement will center on the role of black theatre companies in shaping\, influencing\, and amplifying the Black Lives Matter movement\, as well as the role that black theatre companies\, such as New Federal Theatre and the Negro Ensemble Company\, have historically played in giving a voice to civil rights and other black-related issues. Arts leader Vivian Phillips\, Co-Founder of The Hansberry Project\, will lead this timely Community Conversation\, which is the kickoff for a new series of impactful events\, called The Drinking Gourd\, with The Hansberry Project. \nThe conversation will be streamed live through the True Colors Theatre Facebook page and YouTube Live. \nWATCH THE REPLAYOur Panelists:\n\n×Vivian Phillips (Moderator)\nVivian Phillips is a Seattle-based communications professional and arts leader who with Valerie Curtis-Newton\, co-founded The Hansberry Project in 2005\, and served as Managing Director for the first 5 years of operation. She has produced theatre and led marketing efforts for Seattle presentations of Bring In Da Noise/Bring In Da Funk\, FELA!\, Dance Theatre of Harlem and Alvin Ailey American Dance Theatre. Vivian represented the Seattle Theatre Group to the Africa Contemporary Arts Consortium bringing African contemporary dance to Seattle for over 10 years. She regularly moderates live conversations and lists among the most notable – Congressman John Lewis\, Gloria Steinem\, Jesmyn Ward\, Terry McMillan\, Charles Johnson\, Danny Glover\, Alice Walker\, Ta-Nehesi Coates and the parents of Trayvon Martin and Michael Brown. Vivian is a former Chair of the Seattle Arts Commission where she led efforts to secure increased municipal funding for attaining equity in the arts. She currently serves on the boards of KUOW Radio (local NPR affiliate)\, the University of Washington Foundation\, and is the incoming Chair of 4Culture\, the Martin Luther King\, Jr. County cultural services agency. \n*Bio Image by Jerry and Lois Photography \nCloseVivian Phillips (Moderator)\nClick Image for Bio \n\n\n×Woodie King\, Jr.\nWoodie King\, Jr. founded New Federal Theatre in 1970. He began his professional career in 1965 as Cultural Arts Director for Mobilization for Youth. As Director of New Federal Theatre\, Mr. King has produced over 400 plays by the most important writers in theatre\, including LeRoi Jones’ (Amiri Baraka) A Recent Killing\, Ed Bullins’ The Taking of Miss Janie (Drama Critics’ Circle Award)\, J.E. Franklin’s Drama Desk Award-winning Black Girl\, Ntozake Shange’s Tony-nominated For Colored Girls Who Have Considered Suicide When the Rainbow is Enuf\, and David Henry Hwang’s The Dance and the Railroad. Mr. King is an acclaimed director who has directed productions for regional theatres throughout the U.S. He directed Checkmates by Ron Milner for ETA Chicago\, Inner City Cultural Center\, Westwood Geffen Playhouse in Los Angeles (winner of the NAACP Image Award\, Best Director)\, Jomandi Theatre in Atlanta\, Waterfront Theatre San Francisco\, Arena Stage in Washington\, DC; and on Broadway starring Denzel Washington and Ruby Dee. Mr. King also directed James Weldon Johnson’s adaptation of God’s Trombone for the Shubert Theatre in Philadelphia\, The Ford’s Theatre in Washington\, DC and New Federal Theatre in NYC. He has directed off-Broadway and in resident theatres. Mr. King is the recipient of the AUDELCO Award for Best Director for Robert Johnson: Trick the Devil by Bill Harris and Appear and Show Cause by Steve Taylor. A writer\, editor\, drama critic and teacher\, Mr. King has taught at Yale University\, Columbia University\, Oberlin College\, and Penn State University. \nMr. King is the recipient of an Obie Award for Sustained Achievement\, and Honorary Doctorate in Humane Letters from Wayne State University\, a Doctorate of Fine Arts from the College of Wooster\, and a Doctorate of Humane Letters from John Jay College (CUNY)\, a Doctorate of Humane Letters from Lehman College. He was inducted into the American Theatre Hall of Fame in January\, 2012; in 2013 he received the Edwin Booth Award; and in 2016\, he received the Ida B. Wells Award from the National Conference of Black Writers. \nCloseWoodie King\, Jr.\nClick Image for Bio \n\n\n×Stephanie S. Hughley\nStephanie S. Hughley is currently a Performing Arts Consultant specializing in relationship building and developing unique collaborative partnerships with public and private\, for profit and non-profit individuals and organizations. \nShe began her career in the arts as a professional dancer and danced her way to New York in 1974 where she transitioned from dance into the theatrical community. Her work in the New York Theater and as a member of the Association of Theatrical Press Agents and Managers (ATPAM) included more than 20 years as a General and Company Manager for Broadway\, off-Broadway\, National and International Touring Companies. She worked in the offices of The Negro Ensemble Company (NEC)\, Iron Mountain Productions (Manny Azenberg)\, The NY Shakespeare Festival/Public Theater (Joseph Papp)\, Theatre Management Associates (Ashton Springer)\, and Urban Arts Corps (Vinnette Carroll)\, and managed many shows including: First Breeze of Summer\, A Soldiers Play\, Bubblin’ Brown Sugar\, A Lesson from Aloes\, Guys & Dolls\, Ain’t Misbehavin’\, For Colored Girls…\, Eubie\, and Your Arms Too Short to Box with GOD\, to name a few. In 1988 as the first Artistic Director\, together with her team\, conceptualized and created the National Black Arts Festival in Atlanta\, GA and returned several years later to become the Festival’s Executive Producer. In 1992\, she became the Producer of Theater and Dance for the Cultural Olympiad of the Olympic Games in Atlanta\, GA. From 1995-99 and again from 2009-2011 she was the Vice President of Programming for the New Jersey Performing Arts Center (NJPAC) and most recently served as Vice President of Education\, Humanities\, BAM Cinema & Cinématek at the Brooklyn Academy of Music (BAM).  \nCloseStephanie S. Hughley\nClick Image for Bio \n\n\n×Jonathan McCrory\nJonathan McCrory is a two-time Obie Award-winning\, Craine’s New York Business 2020 Notable LGBTQ Leader. As a Harlem-based artist\, he served as Artistic Director at National Black Theatre since 2012 under the leadership of CEO\, Sade Lythcott. As Artistic Director (Creative Duala)\, he is the creative heart of the institution helping to select\, develop and manage acclaimed programs and productions\, such as The Peculiar Patriot and Kill Move Paradise. His creative force also helped the theatre expand its reach with the creation of the National Black Theatre of Sweden. As a director\, he has helmed numerous productions including Dead and Breathing\, HandsUp\, and Blacken The Bubble and devised works like Hope Speaks\, Evoking Him: Baldwin and Emergence: A Communion (based on Adrienne Marie Brown’s book Emergent Strategy). A Washington\, DC native\, McCrory attended Duke Ellington School of the Arts and earned his BFA from New York University Tisch School of the Arts. \nHandles: \n@Natblacktheatre (National Black Theatre)\n@Jaymc86 (Jonathan) \nCloseJonathan McCrory\nClick Image for Bio \n\n\n×Marcus Hopkins-Turner\nMarcus Hopkins-Turner is a native of Atlanta\, GA and graduate of Morehouse College where he received his bachelors in vocal performance. The father of two has been a constant presence on the Atlanta theatre scene for the past five years. His career has included performances as Hotep in Tuacahn Amphitheater’s production of Prince of Egypt\, Crown in Red Mountain Theatre’s Porgy and Bess\, Troy Maxson in Springer Opera House’s production of Fences and Topper in the Alliance Theatre’s production of A Christmas Carol. As a cofounder of B.L.A.C.T. ATL Inc\, Marcus is an advocate for black theatre performers in the city and promoter of artist led community service. \nHandles:  \n@blactatl\n@blackactordad\nwww.blactatl.com\nwww.blackactordad.com \nCloseMarcus Hopkins-Turner\nClick Image for Bio \n\n\n×Alexis Woodard\nAlexis Woodard is an Atlanta-based Director\, proud Spelman College Alumna and current Spelman Leadership Fellow at the Alliance Theatre. Her Directing Credits include: Romeo + Juliet\, Eurydice (Spelman College)\, Finished What We Started (Morehouse College)\, as well as assistant directing for Hands of Color (Synchronicity Theatre)\, Hamlet (The Tiny Theater Company)\, A Kids Play About Racism (Bay Area Children’s Theatre)\, and the developmental workshop of Seize the King Workshop (Alliance Theatre). Upcoming Credits include: Associate Director for A Christmas Carol: The Live Radio Play (Alliance Theatre)\, Assistant Director for Marie and Rosetta (True Colors Theatre)\, Co-Director for Hands Up (Alliance Theatre)\, and Co-Director for Othello (The Tiny Theatre Company). She is proud to have had the opportunity to intern at both Synchronicity Theatre and True Colors Theatre during her time at Spelman and is thrilled to be back at True Colors and to be a part of this incredible panel! \nCloseAlexis Woodard\nClick Image for Bio \n\n\n×Britny Horton\nBritny J. Horton is an art-ivist from Rochester\, NY. Upon graduating from Spelman College and the British American Drama Academy\, Britny began working for theaters and film and tv productions across the country. Britny worked as a Casting Associate for five years before pursuing her MFA at the University of Iowa (’21). Britny is dedicated to her training and considers it an honor to explore and refine her art. Her most recent credits include Hit the Wall (University of Iowa)\, SWEAT (University of Iowa) Men on Boats (Riverside Theatre)\, and Too Heavy for Your Pocket (Pyramid Theatre)\, YesToday (film)\, Incensed (Film)\, and Lights On (Film). In 2020\, she produced the first film under her production company Curvy Confidence. In 2019\, Britny won the Best Actress in a Play Award from Broadway World Des Moines for her portrayal of Evelyn in Too Heavy for Your Pocket. She recently launched a body-positivity podcast named Curvy Confidence. It is her goal to use her art to spread body-positive messages by playing and creating roles that challenge the standards of beauty and further incite the empowerment of black women. \nWebsite: www.britnyhorton.com\nInstagram: @britnyjevonnahorton\nClubhouse: @brithorton \nCloseBritny Horton (Performer)\nClick Image for Bio \nOur Sponsor:
URL:https://truecolorstheatre.org/event/black-theatre-and-the-black-lives-matter-movement/
LOCATION:GA
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DTSTART;TZID=UTC:20210307T150000
DTEND;TZID=UTC:20210307T170000
DTSTAMP:20210219T213442Z
CREATED:20210219T063546Z
LAST-MODIFIED:20210219T213442Z
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SUMMARY:Art Meets Activism: John Lewis\, C.T. Vivian\, and The Baptism
DESCRIPTION:Art Meets Activism:\nJohn Lewis\, C.T. Vivian\, and The Baptism\nA special event commemorating the 56th anniversary of the Civil Rights Movement’s Bloody Sunday\nSunday\, March 7\, 2021\, 3:00PM \nLocation: Streaming Live on Multiple Platforms (Links Forthcoming) \nPanelists: \n\nDr. Francine Allen-Adams\, Emory University James Weldon Johnson Fellow and Associate Professor of English\, Morehouse College\nDr. Vicki Crawford (moderator)\, Director of the Morehouse College King Papers\nDr. Doris Derby\, Civil Rights documentary photographer\, author\, and co-founder of Free Southern Theater\nDr. Andra Gillespie\, Associate Professor of Political Science and Director of the James Weldon Johnson Institute\, Emory University\nCarl Rux\, Writer\, Actor\, creator of “The Baptism”\n\nJoin us for Art Meets Activism: John Lewis\, C.T. Vivian\, and The Baptism\, a special event commemorating the 56th anniversary of the Civil Rights Movement’s Bloody Sunday and the critical role of youth and art in the movement. Presented by Emory University\, Kenny Leon’s True Colors Theatre Company\, and the Martin Luther King\, Jr. Collection at Morehouse College in partnership with Lincoln Center\, this event will feature a film screening of The Baptism\, a visual poem by Carl Hancock Rux and Carrie Mae Weems\, with a panel conversation of distinguished scholars\, activists and artists\, followed by a Q and A. \nThe Baptism visual poem and interview with Carl Hancock Rux conducted by Carrie Mae Weems were commissioned by and are presented courtesy of Lincoln Center for the Performing Arts. \nFor more information about Lincoln Center\, subscribe to the email list here or visit lincolncenter.org. \nRESERVE YOUR SPOTOur Panelists:\n\n×Dr. Vicki Crawford (Moderator)\nDr. Vicki Crawford (Moderator)\nEndowed Chair of Civil and Human Rights\, Morehouse College\nExecutive Director of the Office of the Morehouse College Martin Luther King\, Jr. Collection\nDr. Vicki Crawford is Endowed Chair of Civil and Human Rights and Executive Director of the Office of the Morehouse College Martin Luther King\, Jr. Collection. In this position\, she develops campus-based programming and community outreach initiatives that advance the teachings and nonviolent philosophy of Dr. Martin Luther King\, Jr. In addition\, she serves on the curatorial committee at the National Center for Civil and Human Rights which has oversight for rotating thematic exhibits of the King papers. \nCloseDr. Vicki Crawford (moderator)\nClick Image for Bio \n\n\n×Dr. Francine L. Allen-Adams\nDr. Francine L. Allen-Adams\nJames Weldon Johnson Institute Fellow\nEmory University\nDr. Francine L. Allen-Adams is a fellow with the James Weldon Johnson Institute at Emory University where she is working on two manuscript projects and teaching a course entitled Faith\, White Abolitionists\, and the Black Church: The Literary Artist during Reconstruction. She is also an Associate Professor of English at Morehouse College. As an African Americanist and literary scholar\, she explores generally the intersection between theology and literature. In her current research\, she has been examining the semiological import of the Black Church in literature written during Reconstruction. The latest essay written by Dr. Adams is entitled “Let Them be Black and Beautiful: A Black Southerner’s Grasp at Self-Respect in C. Eric Lincoln’s The Avenue\, Clayton City.” It was published in the 2019 print issue of the North Carolina Literary Review and explores faith and race in the only novel written by C. Eric Lincoln\, a former Duke University Professor of Religion and Culture and a former professor at Clark Atlanta University. \nCloseDr. Francine L. Allen-Adams\nClick Image for Bio \n\n\n×Dr. Doris Derby\nDr. Doris Derby\nAdministrator\, Professor\, Documentary Photographer\, Speaker\, and Author\nDr. Doris Derby is an administrator\, professor\, documentary photographer\, speaker\, and author who earned her Bachelor of Arts from Hunter College in New York\, and Doctor of Philosophy from the University of Illinois\, Champaign/Urbana. She was a Freedom rider and one of the New York SNCC (Student Non -violent Coordinating Committee) organizers of the March on Washington in 1963. She worked in Albany\, Georgia\, where among other things\, she single-handedly integrated St. Pauls’ Episcopal Church\, the summer of 1962. \nAfter teaching elementary school in Yonkers\, New York\, Dr. Derby joined the Civil Rights movement in Mississippi and Alabama\, for nine years\, to work with grassroots organizers in black communities and take steps to impact societal change. While there she was a pioneer in pre-school and adult literacy initiatives\, in developing cooperatives for economic development\, in founding the Free Southern Theater\, and in being a member of Southern Media\, Inc. a documentary and photography and filmmaking group. She also worked at the Margaret Walker Center\, of Jackson State University\, and Tougaloo College\, both HBCUs. \nAs a ten-year civil rights movement veteran (1962–1972)\, her work has been recognized in several publications\, documentaries\, and online publications. Dr. Derby is a contributor to “Hands on the Freedom Plow\,” a book that contains fifty SNCC women’s contributions to the civil rights movement. Her new book is entitled\, POETAGRAPHY: Artistic Reflections of a Mississippi Lifeline in Words and Images: 1963-1972. It contains a combination of the poetry and documentary photographs she created while working in Mississippi. Her second book\, PATCHWORK: (PPP) Paintings\, Poetry and Prose; Art and Activism in the Civil Rights Movement\, 1960 – 1972\, is forthcoming Spring 2021. \nFrom 1990 until her retirement in 2012\, Dr. Derby was Georgia State University’s founding Director of African American Student Services and Programs and an Adjunct Associate Professor in the Anthropology Department. While there her initiatives impacted the lives of thousands of students here and abroad. In 2011\, Dr. Derby was honored with the Georgia Humanities Award by the Governor of Georgia for her work and for her photographs depicting the life of struggling Americans who defied the post-emancipation status quo brought about by political\, economic\, social\, and cultural domination and exploitation. \nDr. Derby’s images have been shown in numerous museums\, galleries\, universities\, and websites including the Mississippi Civil Rights Museum\, the Krannert Art Museum in Illinois\, the National Museum of African American History and Culture in Washington\, DC\, the Rose Library of Emory University\, in Atlanta\, the Art Gallery of Jackson State University\, the City Museum in Montpellier\, France\, the Turner Contemporary Art Museum in Margate\, England\, the Photographers Gallery and the Website of Appollo Magazine\, in London\, England. Dr. Derby resides in Atlanta with her husband\, retired Army Veteran\, and actor\, Bob Banks. They are both active in their community. \nCloseDr. Doris Derby\nClick Image for Bio \n\n\n×Dr. Andra Gillespie\nDr. Andra Gillespie\nAssociate Professor of Political Science\nDirector of the James Weldon Johnson Institute for the Study of Race and Difference\nEmory University\nDr. Andra Gillespie is Associate Professor of Political Science and Director of the James Weldon Johnson Institute for the Study of Race and Difference at Emory University. She earned her Ph.D. in Political Science from Yale University. Gillespie teaches courses on American politics\, race and politics and qualitative methodology. Her research focuses on the political leadership of the post-civil rights generation. In particular\, she studies African American politicians who attempt to transcend race and how Black voters respond to them. She is the author of The New Black Politician: Cory Booker\, Newark and Post-Racial America (2012) and Race and Obama Administration: Symbols\, Substance and Hope (2019). She is also the editor of Whose Black Politics? Cases in Post-Racial Black Leadership (2010). In addition\, she is an active public scholar whose interviews and op-eds have appeared in numerous local\, national and/or international media outlets. \nCloseDr. Andra Gillespie\nClick Image for Bio \n\n\n×Carl Hancock Rux\nCarl Hancock Rux\nPoet\, Playwright\, Novelist\, Essayist\, Actor\, Director\, Singer / Songwriter\nCarl Hancock Rux is an American poet\, playwright\, novelist\, essayist\, actor\, director\, singer/ songwriter. He is the author of several books including the Village Voice Literary Prize-winning “Pagan Operetta\,” the novel\, Asphalt\, and the Obie Award-winning play\, Talk. Rux is also a singer/songwriter with four CDs to his credit\, as well as a frequent collaborator in the fields of dance\, theater\, film\, and contemporary art . Notable collaborators include Nona Hendryx\, Toshi Reagon\, Bill T. Jones\, Ronald K. Brown\, Nick Cave\, Anne Bogart\, Robert Wilson\, Kenny Leon\, Ruben Santiago-Hudson\, Jonathan Demme\, Stanley Nelson Jr.\, Carrie Mae Weems\, Glenn Ligon and others. He is the recipient of numerous awards including the Doris Duke Award for New Works\, the Doris Duke Charitable Fund\, the New York Foundation for the Arts (NYFA) Prize\, the Bessie Award and the Alpert Award in the Arts\, and a 2019 Global Change Maker award by WeMakeChange.Org. His archives are housed at the Billy Rose Theater Division of the New York Public Library\, the Archives of American Art\, Smithsonian Institution as well as the Film and Video/Theater and Dance Library of the California Institute of the Arts. Mr. Rux is a co-Artistic Director of Mabou Mines. \nCloseCarl Hancock Rux\nClick Image for Bio \nOur Sponsors:Use this button to RSVP! Although an RSVP is not completely necessary since we have decided to stream the event\, we realize that some of our patrons may prefer it.
URL:https://truecolorstheatre.org/event/art-meets-activism/
LOCATION:GA
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20211130
DTEND;VALUE=DATE:20211201
DTSTAMP:20230118T203435Z
CREATED:20210828T183620Z
LAST-MODIFIED:20230118T203435Z
UID:8237-1638230400-1638316799@truecolorstheatre.org
SUMMARY:Marie and Rosetta
DESCRIPTION:CANCELLATION NOTICE \nDue to current conditions and heightened risk factors associated with increasing COVID-19 cases\, we have decided to cancel all remaining performances of Marie and Rosetta (Dec. 26th – Dec. 30th). We apologize for this inconvenience. However\, the safety of our patrons\, staff members and associates will always be a priority. If you purchased tickets for any Marie and Rosetta performances that were canceled\, please contact assistbo@truecolorstheatre.org or call Tickets West at 470.639.8241 to request a refund or\, if you choose\, to donate the value of your tickets. We deeply appreciate your support.  \nMarie and Rosetta\nWritten by George Brant\nDirected by Andrea Frye\nMusic Direction by S. Renee Clark\nNovember 30th – December 30th\, 2021\nBUY TICKETS×Important COVID-19 Policies\nAttention: All patrons ages 12 and older must pass the COVID-19 Admissions Screening before entering the theatre\, which includes a temperature check\, short questionnaire\, and review of the following items:\n\nFace Masks covering your nose and mouth\nValid Photo ID\nCOVID-19 Vaccination Card that shows COMPLETE vaccination\, with 2nd shot at least 14 days prior to showtime – or –\nNegative COVID test result (issued within the last 72 hours)\n\nIf you do not arrive with the proper credentials\, you will be asked to contact the box office off site for an exchange to an alternate showtime.\nAGREE AND CONTINUE\nClosePerformances:\nPreviews: 11/30\, 12/1\, 12/2 at 7:30PM\nWednesdays and Thursdays at 11:00 AM (Senior Matinees)\nThursdays and Fridays at 7:30 PM\nSaturdays at 2:30 PM & 7:30PM\nSundays at 2:30PM\nAdditional Performances: Tuesday 12/21 and 12/28 and Sunday 12/26 at 7:30PM \n*There will not be any performances Dec 24th – 25th in observation of the Christmas Holiday* \nSynopsis:\nBelatedly acknowledged as the Godmother of Rock ‘n Roll\, Sister Rosetta Tharpe shattered every barrier that she faced as she made her mark on the music world. Marie and Rosetta chronicles her journey with young gospel singer Marie Knight\, whom she recruited away from Mahalia Jackson. Despite being forced by Jim Crow laws to lodge and rehearse in funeral homes and other unpleasant accommodations while on the road\, Marie and Rosetta broke new ground with their music and their relationship. \n*This show contains mild adult language and content* \nAdditional Show Information:\nAll patrons and guests are required to wear masks that cover your nose and mouth at all times while inside the theatre. Attendees must also present proof of vaccination or current negative COVID test documentation (issued within the last 72 hours) to gain access into the building. View our full COVID-19 policy and safety protocols here. \nCast:\nAmitria Fanae\n(Sister Rosetta Tharpe) Jasmine Ellis\n(Marie Knight) Spencer Bean\n(Guitar) Andrea Frye\n(Director) Renee Clark\n(Music Director)
URL:https://truecolorstheatre.org/event/marie-and-rosetta/
LOCATION:GA
CATEGORIES:Sankofa Seasons
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20220218
DTEND;VALUE=DATE:20220314
DTSTAMP:20220215T191424Z
CREATED:20210828T192821Z
LAST-MODIFIED:20220215T191424Z
UID:8254-1645142400-1647215999@truecolorstheatre.org
SUMMARY:The Reality of Realty: February - March
DESCRIPTION:Here’s your chance to see 3 new productions centered on one of the greatest literary works of all time. Get your tickets now for the “Reality of Realty” – a series of 3 contemporary readings inspired by Lorraine Hansberry’s widely acclaimed classic\, “A Raisin in the Sun.” \nStarting Friday\, Feb. 18\, you can witness the first of these gripping performances\, which shine light on race\, gender\, discrimination\, and other issues around Hansberry’s prolific work. \nJoin us and watch these raw\, powerful stories at an affordable rate. Each reading is $25\, but you can catch all 3 for a bundle deal of $35. Check out our line-up and the talented artists behind the magic! \nBUY TICKETS HEREYounger | February 18-20\n“Younger\,” written by Atlanta playwright Kelundra Smith\, is a prelude to “A Raisin in the Sun”\, chronicling the journey of Lena Younger\, the family matriarch\, from Jackson\, Mississippi\, to Chicago during the Great Migration of Blacks moving from the South to North. \nBeneatha’s Place | February 25-27\n“Beneatha’s Place” by Kwame Kwei-Armah follows the life of “A Raisin in the Sun” character Beneatha Younger from 1959 to the present. \nThe Etiquette of Vigilance | March 11-13\n“The Etiquette of Vigilance” by Robert O’Hara is a contemporary look at the Younger family 50 years after the time of the original play. \nBUY TICKETS HERE×Important COVID-19 Policies\nAttention: All patrons ages 12 and older must pass the COVID-19 Admissions Screening before entering the theatre\, which includes a temperature check\, short questionnaire\, and review of the following items:\n\nFace Masks covering your nose and mouth\nValid Photo ID\nCOVID-19 Vaccination Card that shows COMPLETE vaccination\, with 2nd shot at least 14 days prior to showtime\n– or –\nNegative COVID test result (issued within the last 72 hours)\n\nIf you do not arrive with the proper credentials\, you will be asked to contact the box office off site for an exchange to an alternate showtime.\nAGREE AND CONTINUE\nCloseAdditional Show Information:\nAll patrons and guests are required to wear masks that cover your nose and mouth at all times while inside the theatre. Attendees must also present proof of vaccination or current negative COVID test documentation (issued within the last 72 hours) to gain access into the building. View our full COVID-19 policy and safety protocols here.
URL:https://truecolorstheatre.org/event/raisin/
LOCATION:GA
CATEGORIES:Sankofa Seasons
ATTACH;FMTTYPE=image/jpeg:https://truecolorstheatre.org/wp-content/uploads/2022/02/TC_RR_WEBSITE.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220614
DTEND;VALUE=DATE:20220711
DTSTAMP:20220624T202523Z
CREATED:20210828T193321Z
LAST-MODIFIED:20220624T202523Z
UID:8256-1655164800-1657497599@truecolorstheatre.org
SUMMARY:Fannie
DESCRIPTION:Fannie: The Music and Life of Fannie Lou Hamer\nWritten by Cheryl L. West\nJune 14th – July 10th\, 2022\nTICKETS ON SALE NOWPerformances:\nPreviews 6/14\, 6/15\, 6/16 at 7:30PM\nThursday 6/23 at 7:30PM \nThursdays 6/30 and 7/7 at 11AM (Senior Matinees)\nFridays at 7:30 PM\nSaturdays at 2:30 PM and 7:30PM\nSundays at 2:30PM \nSynopsis:\nFannie Lou Hamer was the baby of her family\, who were sharecroppers with 19 children before her. After working on plantations for most of her adult life\, she joined the Civil Rights movement. Three years after attending a rally\, she co-founded a new political party to advocate for Black voting rights. Involuntarily sterilized\, robbed of her possessions\, and beaten in jail\, Fannie Lou Hamer was not deterred. This play with music has a cast of one\, in recognition of the sheer power of Fannie Lou Hamer’s will. \n“Review: True Colors’ folksy take on civil rights leader takes audience to church”\n– ArtsATL \nOur Sponsors:\nAdditional Show Information:\nAll patrons and guests are required to wear masks that cover your nose and mouth at all times while inside the theatre. Attendees must also present proof of vaccination or current negative COVID test documentation (issued within the last 72 hours) to gain access into the building. View our full COVID-19 policy and safety protocols here.
URL:https://truecolorstheatre.org/event/fannie/
LOCATION:GA
CATEGORIES:Sankofa Seasons
ATTACH;FMTTYPE=image/jpeg:https://truecolorstheatre.org/wp-content/uploads/2022/03/Fannie_Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221111T193000
DTEND;TZID=America/New_York:20221113T160000
DTSTAMP:20221026T222022Z
CREATED:20221026T221313Z
LAST-MODIFIED:20221026T222022Z
UID:9768-1668195000-1668355200@truecolorstheatre.org
SUMMARY:Cabaret
DESCRIPTION:Join True Colors for three unforgettable evenings full of hors d’oeuvres and libations as we celebrate 20 years of bringing Black stories to life! This fabulous cabaret and fundraiser curated by Artistic Director Jamil Jude will include performances and tributes to the incredible playwrights\, actors and artists that have shaped our incredible journey thus far. \nChoose your date – Friday\, November 11 at 7:30pm\, Saturday\, November 12 at 2:30pm\, or Sunday\, November 13 at 2:30 – and get ready to relive some great True Colors moments while discovering what’s next! \nThis is a general admission event. Face masks are REQUIRED and social distancing is encouraged. \nFriday\, November 11\, 2022 @ 7:30PM \nSaturday\, November 12\, 2022 @ 2:30PM \nSunday\, November 13\, 2022 @ 2:30PM \nBUY TICKETS HERE
URL:https://truecolorstheatre.org/event/cabaret/
LOCATION:Southwest Arts Center\, 915 New Hope Road\, Atlanta\, GA\, 30331\, United States
CATEGORIES:Coming Soon
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230214T193000
DTEND;TZID=America/New_York:20230312T143000
DTSTAMP:20230713T163925Z
CREATED:20230118T230730Z
LAST-MODIFIED:20230713T163925Z
UID:10189-1676403000-1678631400@truecolorstheatre.org
SUMMARY:Good Bad People
DESCRIPTION:Good Bad People \nWritten by Rachel Lynett\nDirected by Ibi Owolabi\nFebruary 14th – March 12th\, 2023 \nDigital PlaybillPerformances:\nPreviews: 2/14\, 2/15\, 2/16 at 7:30PM\nSenior Matinee: Thursday\, 3/9 at 11:00 AM\nThursdays and Fridays at 7:30 PM\nSaturdays at 2:30 PM and 7:30PM\nSundays at 2:30PM \nContent Advisory:\nGood Bad People contains adult language and smoking on stage. It also includes content that may be upsetting\, with glass shattering\, loud noises\, and other potential triggers. The recommended age for this production is 14 yrs. and older. \nSynopsis:\nGood Bad People tells the story of the Johnsons\, a prominent Black family in Los Angeles. Miriam Johnson is a law professor\, her husband is a doctor\, and their daughters June and Audre are prep school and Ivy League-educated. Their son Amiri\, however\, is another story. Having struggled to find his way\, Amiri is living at a homeless shelter in the city when he is shot and killed by police in a case of mistaken identity. \nJune\, Audre and Miriam\, along with Amiri’s former girlfriend and a reporter from the Los Angeles Times\, struggle with each others’ reactions to this family tragedy. The topic of “respectability politics” is raised when June’s disappointment in her family’s reluctance to decry Amiri’s death publicly is viewed as the Johnsons being “too respectable” to have something like this happen to their family. \nPodcast:\nRachel Lynett Talks About Her Play Good Bad People \nhttps://truecolorstheatre.org/wp-content/uploads/2023/02/TCTPodcast_SankofaSeason_RachelLynett.mp3Additional Show Information:\nAll patrons and guests are required to wear masks that cover your nose and mouth at all times while inside the theatre. \nGroup Sales:\nSpecial group rates are available to parties of ten or more. Please contact the Box Office for details and purchasing. \nCast:\nRachel Lynett\nPlaywrightIbi Owolabi\nDirectorTerry Henry\n(Miriam)Asia Rogers\n(Audre)Veanna Black\n(June)Annie Jacob\n(Camille)Kylie Gray Mask\n(Lucy)
URL:https://truecolorstheatre.org/event/good-bad-people/
LOCATION:Southwest Arts Center\, 915 New Hope Road\, Atlanta\, GA\, 30331\, United States
CATEGORIES:Sankofa Seasons
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230613T193000
DTEND;TZID=America/New_York:20230702T143000
DTSTAMP:20241108T213306Z
CREATED:20230407T143013Z
LAST-MODIFIED:20241108T213306Z
UID:10481-1686684600-1688308200@truecolorstheatre.org
SUMMARY:THE WIZ
DESCRIPTION:Directed by Brian Jordan\, Jr.\nJune 13th – July 2nd\, 2023 DIGITAL PLAYBILLPerformances:Previews: 6/13\, 6/14\, 6/15 at 7:30 PM\nWednesdays & Thursdays at 11:00 AM (Senior Matinees)\nThursdays & Fridays at 7:30 PM\nSaturdays at 2:30 PM & 7:30 PM\nSundays at 2:30 PM \nSynopsis:The Wiz was a staple of True Colors’ early years\, when Artistic Director Emeritus and co-Founder Kenny Leon directed it for four consecutive years – from 2004 to 2007 – as a means to bring young talent to the stage. Many of the young performers have gone to success on Broadway\, on the big screen and in the recording studio. This reimagining of the classic story is directed by Brian Jordan\, Jr.\, well known to BET viewers as “Maurice Webb” on the popular show Sistas. Featuring an all-Atlanta cast\, the production will honor the history\, and illuminate the power\, of True Colors’ artistic excellence in Black storytelling. \nDirector:Meet the director of THE WIZ – Brian Jordan\, Jr. No stranger to True Colors Theatre Company\, Brian credits his first experience of THE WIZ to his time spent as an actor with TCT. Having starred in the hit show “SISTAS” on BET\, Brian is now bringing his depth of experience as an actor\, choreographer\, and artist to Atlanta for his directorial debut with THE WIZ. \nTaloria Merricks\n“Dorothy”Q Parker\n“Tinman”George Lovett\n“Scarecrow”Latrice Pace\n“Auntie EM / Glinda”Greg McKinney\n“Lion”Fenner Eaddy\n“The Wiz”Tina Fears\n“Addaperle / Evillene”Kyla Gibbson\n“Ensemble”Jon Avery Warrell\n“Ensemble”Christian Gibbs\n“Ensemble”Kamarick Mackey\n“Ensemble”AC Wilson\n“Ensemble”Yvonna Hoba\n“Ensemble”Cadence Lyles\n“Ensemble”Nishelle Williams\n“Ensemble”
URL:https://truecolorstheatre.org/event/the-wiz/
LOCATION:Southwest Arts Center\, 915 New Hope Road\, Atlanta\, GA\, 30331\, United States
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230919T193000
DTEND;TZID=America/New_York:20231016T143000
DTSTAMP:20240116T162136Z
CREATED:20230714T154337Z
LAST-MODIFIED:20240116T162136Z
UID:10699-1695151800-1697466600@truecolorstheatre.org
SUMMARY:That Serious He-Man Ball
DESCRIPTION:Written by Alonzo D. Lamont\, Jr.\nDirected by Eric Little\nSeptember 19th – October 15th\, 2023 \nBUY TICKETSPerformances:Previews: 9/19\, 9/20\, 9/21 at 7:30 PM\nThursdays and Fridays at 7:30 PM\nThursday\, October 5th at 11:00 AM\nThursday\, October 12th at 11:00 AM\nSaturdays at 2:30 PM and 7:30 PM\nSundays at 2:30 PM \nSynopsis:Sky\, Jello\, and Twin have been friends since high school. Now in their 30s\, they meet up on their local basketball court to talk trash and attempt to exorcize the demons that pursue them through their everyday lives. \nTrue Colors looks forward to bringing this story back to the stage. This production was first seen in Atlanta on the stage of the 14th Street Playhouse (back then known as The Academy Theatre)\, where Tom Jones (Jello)\, Tony Vaughn (Twin) and our very own Kenny Leon (Sky) performed as in the 1988 Jomandi production. \nEric J. Little (Director). Kenny Leon’s True Colors Theatre Company Directing Credits: “Fetch Clay\, Make Man;” “Between Riverside and Crazy\,” Assistant Director- “Holler If Ya Hear Me.” Other Directing Credits: Actor’s Express: “The Brothers Size\,” Neat;” and “Jesus Hopped the ‘A’ Train.” Theatrical Outfit: “Lady Day\,” and “Thurgood.” Aurora Theatre: “The Mountaintop.” Alliance Theatre: (Reiser Lab)- “Confessions of A Hitman.” Theater Emory: “We Are Proud to Present…” North Carolina Black Rep/National Black Theatre Festival- “Run No More” and “Succession.” Selected Theatre Acting Credits: Kenny Leon’s True Colors Theatre Company: “Miss Evers’ Boys\,” “Our Town\,” and “Broke-ology.” Alliance Theatre: “Toni Stone.” Theatrical Outfit: “Gee’s Bend\,” “A Lesson Before Dying\,” and “Fly.” Horizon Theatre: “Superior Donuts\,” and “Third Country.” Film/TV Acting Credits: “Praise This\,” “Bandit\,” “Tyler Perry’s House of Payne\,” “Necessary Roughness\,” “Hamlet’s Ghost\,” “Lottery Ticket\,” “Christmas Deja’Vu\,” and “Stalker.” Eric is also a Georgia Lottery Host as well as a Professor & Director/Theater Coordinator at Clark Atlanta University. And he’s a three-time Suzi Bass Award Winner for acting. Follow him on IG: iamejlittle and Facebook: Eric J. Little. \nThat Serious He Man Ball Cast:Eugene H. Russell IVEnoch KingNeal Ghant
URL:https://truecolorstheatre.org/event/that-serious-he-man-ball/
LOCATION:Southwest Arts Center\, 915 New Hope Road\, Atlanta\, GA\, 30331\, United States
CATEGORIES:20th Anniversary Season
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250211T113000
DTEND;TZID=America/New_York:20250309T170000
DTSTAMP:20250328T163318Z
CREATED:20241108T213851Z
LAST-MODIFIED:20250328T163318Z
UID:12134-1739273400-1741539600@truecolorstheatre.org
SUMMARY:Jaja's African Hair Braiding
DESCRIPTION:Written by Jocelyn Bioh\nDirected by Ibi Owolabi\nFebruary 11th – March 9th\, 2025 Get TicketsDigital PlaybillPerformances:Feb 11th – Feb 13th 7:30PM (Previews)\nFeb 20th and 27th 11:00AM (Matinees)\nThursdays 7:30PM\nFridays 7:30PM\nSaturdays 2:30PM and 7:30PM\nSundays 2:30PM \nWe are bringing you nights filled with culture and fun during our run of Jaja’s! Get an exclusive backstage look February 11th with a Post Show Talk with the Creative Team. Have a taste of the culture with our West African Night February 22nd featuring light bites from Nema’s Kitchen and a performance by Giwayen Mata. Jaja’a African Hair Braiding will feature an ASL interpreter to assist our audience members with access needs February 27th and March 2nd. And you won’t want to miss your cue during our Greek and HBCU roll call February 27th-March 2nd. There is fun for all at Jaja’s! Purchase your tickets today! \nSynopsis:Jaja’s African Hair Braiding invites you to step into a vibrant hair salon in Harlem\, where a lively community of West African immigrant hair braiders weaves together humor and heart in a celebration of artistry and resilience. Amidst the laughter and playful shop talk\, a diverse group of women share dreams\, love stories\, and hidden secrets\, all while creating stunning braided masterpieces. On a sweltering summer day\, the lighthearted banter reveals deeper reflections on the challenges of feeling like outsiders in their own neighborhood\, sparking a powerful exploration of identity and belonging. Join us for this dazzling regional premiere that masterfully balances comedy with poignant themes\, highlighting the magic of Black salon culture and the connections that unite us all. \nReview: Jaja’s African Hair Braiding Brings Humor and Heart \nDirector:Ibi Owolabi is the current Drama League Stage Directing Fellow\, with a residency at Manhattan Theatre Club that led to her recent Broadway debut on Cost of Living. Her work has been seen at 7 Stages\, Kenny Leon’s True Colors Theatre\, Alliance Theatre\, Theatre Emory\, The Weird Sisters Theatre Project\, and the DC Black Theatre Festival. Ibi is a graduate of Georgia Southern University\, the Actors Express directing internship\, and the Kenny Leon fellowship. Ibi directed several Zoom productions\, including Well-Intentioned White People\, Good Bad People\, White-Ish\, Stew\, and Faith. Ibi’s recent in person productions include a socially distanced You on the Moors Now at USC\, The Bluest Eye at Synchronicity Theatre\, Intimate Apparel at Actor’s Express\, and Good Bad People at True Colors Theatre. She is also a producer for Weird SIster’s Theatre Project\, a mixed media production company by women\, for everyone. \nAba Arthur\n“Jaja”Asha Basha Duniani\n“Marie”Zora Umeadi\n“Bea”Adetinpo Thomas\n“Miriam”Shakirah Demesier\n“Aminata”Ernaisja Curry\n“Ndidi”Veanna Black\n“Jennifer”Paris Cymone\n“Vanessa\, Radia\, Shelia”Marita A. McKee\n“Michelle\, Chrissy\, Laniece”Dane Troy II\n“James\, Sock Man\, Jewelry Man\, DVD Man”
URL:https://truecolorstheatre.org/event/jajas/
LOCATION:GA
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250729T080000
DTEND;TZID=America/New_York:20250824T220000
DTSTAMP:20250821T173847Z
CREATED:20250415T212316Z
LAST-MODIFIED:20250821T173847Z
UID:12352-1753776000-1756072800@truecolorstheatre.org
SUMMARY:Ain't No Mo
DESCRIPTION:Written by Jordan E. Cooper\nDirected by Jamil Jude\nLive at the Balzer\, 84 Luckie St. NW\, Atlanta\, GA 30303\nJuly 29th – August 24th\, 2025 TICKETS AVAILABLE NOWDOWNLOAD DIGITAL PLAYBILLSynopsis:This ain’t your typical True Colors show. \nThis summer we’re bringing the bold\, the brash\, and the brilliant Ain’t No Mo’ to downtown Atlanta — yes\, we’re stepping outside our usual space and into something a little wilder. \nWritten by Jordan E. Cooper\, the youngest Black playwright to ever open a show on Broadway\, Ain’t No Mo’ is a jaw-dropping rollercoaster of a play that imagines what would happen if America offered every Black person a one-way ticket back to Africa. What follows is a wild mix of sharp satire\, hilarious sketches\, drag\, and unfiltered Black truth. Think In Living Color\, Key & Peele\, and SNL — but louder\, bolder\, and unapologetically Black. \nThis show is raw. It’s real. It’s got teeth. And it’s bringing something Atlanta hasn’t seen quite like this before. \nIf you’re the kind of person who loves to laugh\, gasp\, and talk about it after — Ain’t No Mo’ is your show. \nThis one’s for the bold. Don’t miss it. \nPerformances:Previews: July 29th – July 31st @ 730PM \nPerformances: August 1st – August 24th\nWednesday\, Thursday\, & Friday @ 730PM\nSaturday @ 230PM & 730PM\nSunday @ 230PM \nAdditional Matinees and Evenings:\nAugust 14th & 21st @ 11AM\nAugust 10th\, 17th\, and 24th @ 730PM \nAdvisory: This production contains strong language and mild adult themes \nDirector: Jamil JudeJamil Jude is the Artistic Director of True Colors Theatre Company and a dynamic force in American theatre. A director\, producer\, playwright\, and dramaturg\, Jamil is committed to socially relevant art that builds community. He co-founded The New Griots Festival to support emerging Black artists in Minneapolis and has held major artistic roles at institutions like Park Square Theatre and Mixed Blood Theatre\, where he was a National New Play Network Producer-in-Residence. Jamil is a recipient of the Mellon Foundation’s prestigious Leadership U grant and has directed across the country\, from Arena Stage in DC to theatres throughout Minnesota and Colorado. An affiliated writer with The Playwrights’ Center and former Jerome Many Voices Mentee\, Jamil continues to be a national leader in the development of new work and the nurturing of emerging voices. \nCast:Amber A. HarrisJay JonesJason Jamal LigonCandice Marie SingletonSierra Nicolette SmithTequilla WhitfieldTechnical Sponsor:
URL:https://truecolorstheatre.org/event/aint-no-mo/
LOCATION:The Balzer Theater at Herren’s\, 84 Luckie St. NW\, Atlanta\, GA\, 30303\, United States
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260609T193000
DTEND;TZID=America/New_York:20260705T193000
DTSTAMP:20260721T173321Z
CREATED:20260227T201846Z
LAST-MODIFIED:20260721T173321Z
UID:12753-1781033400-1783279800@truecolorstheatre.org
SUMMARY:Cinderella
DESCRIPTION:Rodgers & Hammerstein’s CINDERELLA \nMusic by Richard Rodgers Book and Lyrics by Oscar Hammerstein II \nAdapted for the Stage by Tom Briggs\nFrom the Teleplay by Robert L. Freedman \nDirected by Juel D. Lane\nChoreography by Juel D. Lane\nMusical Direction by Rahbi Hines \nCINDERELLA is presented by arrangement with Concord Theatricals on behalf of The Rodgers & Hammerstein Organization (www.concordtheatricals.com). \nJune 9th – July 5th\, 2026BUY TICKETSSynopsis:This ain’t your traditional fairy tale.\nTrue Colors is bringing you Rogers & Hammerstein’s Cinderella — bold\, iconic\, and full of possibility. This Enchanted Edition keeps the heart of the classic story while turning up the confidence. Our Cinderella isn’t waiting to be rescued — she’s stepping into her moment. #DoItLikeCinderella\nIt’s nostalgia. It’s magic. It’s main-character energy.\nAtlanta\, you already know!\nRecommended for ages 6+ \nPerformances:Previews: June 9th – June 11th @ 7:30PM \nOpening Night: June 12th @ 7:30PM\nRegular Performances: Thursdays & Fridays @ 7:30PM Saturdays @ 2:30PM & 7:30PM Sundays @ 2:30PM\nAdditional Matinees & Evening: June 18th\, June 25th\, July 1st & July 2nd @ 11:00AM June 17th @ 7:30PM \nDownload the official CINDERELLA ’80s R&B playlist on Apple or Spotify!!\nIt features classic hits from the 80’s as well as anthems from our cast and creative team!DOWNLOAD ON APPLE MUSICDOWNLOAD ON SPOTIFYDirector and Choreographer:Juel D. Lane is a multifaceted artist known for his bold creativity and powerful storytelling through movement. He has performed with acclaimed companies like Ronald K. Brown/Evidence and Camille A. Brown & Dancers\, and his choreography has been featured by Ailey II\, Dallas Black Dance Theatre\, BODYTRAFFIC\, Carolyn Dorfman Dance\, Atlanta Ballet\, and universities across the country. He also serves as an Executive Associate of The Black Acting Methods Studio. \nAs Director of The UNCSA Choreographic Institute\, Lane curates space for choreographers to explore process and creation on their own terms. In 2025\, he brought his dynamic voice to the theater world by choreographing the new musical Co-Founders at American Conservatory Theater (ACT) in San Francisco. In addition\, Lane choreographed the 2024–2025 Geffen Playhouse and The Shed production of The Brothers Size by Tarell Alvin McCraney. \nLane is also passionate about dance on film. He was awarded at the BronzeLens Film Festival for The Maestro\, a short film honoring the iconic artist Ernie Barnes. Most recently\, he co-directed and choreographed the music video Only-1 for recording artist Dixson. \nMusic Director:RAHBI is sophisticated funk personified—bold\, genre-defying\, and unapologetically original. An Atlanta native\, he began his professional career as a member of the ’90s R&B group 4th Avenue before touring internationally as a background vocalist for Motown recording artist Donnie. He further refined his talents as a singer\, songwriter\, and actor through the Freddie Hendricks Youth Ensemble of Atlanta and The Thearadicals at Georgia State University. \nSince launching his solo career\, RAHBI has become one of Atlanta’s most sought-after independent artists\, captivating audiences at AFROPUNK\, Harlem’s legendary Apollo Theater\, and venues throughout Europe. His electrifying performances have earned praise from celebrated artists including Janelle Monáe and Erykah Badu. \nAs the founder of STRANGE\, Atlanta’s premier live indie music concert series\, RAHBI champions individuality\, culture\, and creative freedom while creating platforms for innovative artists and emerging voices. His work has been featured on WABE’s television series Sounds Like ATL and the PBS two-time Emmy Award-winning Hope Givers\, an inspirational program serving teens\, educators\, and families. \nMost recently\, RAHBI served as a featured Music Director for Season 2 of Diarra From Detroit. He also serves as the in-house Music Director for the world-renowned Black Acting Methods Studio\, founded by Dr. Sharrell Luckett. \nIn recognition of his artistic contributions and community impact\, RAHBI received the 2026 Georgia State Resolution Award and was selected as a recipient of the 2026 BMAC x America250 Voices of Tomorrow Music Maker Grant. \nRAHBI’s latest single\, “ALL I NEED\,” is available on all major streaming platforms. \nCinderella:Jai’len Josey will appear as Cinderella in special performances. We encourage audiences to secure tickets early to experience her highly anticipated turn in the glass slipper. Select dates are indicated on the ticketing page. \nCast:
URL:https://truecolorstheatre.org/event/cinderella/
LOCATION:Southwest Arts Center\, 915 New Hope Road\, Atlanta\, GA\, 30331\, United States
ATTACH;FMTTYPE=image/jpeg:https://truecolorstheatre.org/wp-content/uploads/2026/02/cinderella_landscape_2000.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260915T193000
DTEND;TZID=America/New_York:20261004T170000
DTSTAMP:20260904T154949Z
CREATED:20260721T173511Z
LAST-MODIFIED:20260904T154949Z
UID:13010-1789500600-1791133200@truecolorstheatre.org
SUMMARY:Tank Stranger
DESCRIPTION:Written By: James Ijames\nDirected By: Jamil Jude\nDramaturg: Jonathan McCroryEVERY FAMILY HAS ROOTS. \nWhen generations of the Stranger family are drawn back together\, long-buried truths begin to surface\, blurring the line between ancestry\, mythology\, and destiny. As Tank searches for where he belongs\, he discovers that understanding the future means confronting the past. \nLaunching the final year of True Colors Theatre’s Blackness Is Not a Monolith series\, Tank Stranger is a bold world premiere that blends Afrofuturism\, Black folklore\, and breathtaking theatrical storytelling into an unforgettable theatrical experience. \nBecause every family tree has a story. BUY TICKETS HEREPerformances:Previews: September 15th – September 17th @ 7:30 PM\nOpening Night: September 18th @ 7:30 PM\nRegular Performances: Fridays @ 7:30 PM\, Saturdays @ 2:30 PM & 7:30 PM\, Sundays @ 2:30 PM\nAdditional Evening Performances: September 22nd & September 30th @ 7:30 PM\nAdditional Matinees: September 24th @ 11:00 AM & 7:30 PM\, October 1st @ 2:30 PM & 7:30 PM \nJamil JudeDirectorjames IjamesPlaywrightJonathan McCroryDramaturgCast:
URL:https://truecolorstheatre.org/event/tank-stranger/
LOCATION:Southwest Arts Center\, 915 New Hope Road\, Atlanta\, GA\, 30331\, United States
ATTACH;FMTTYPE=image/png:https://truecolorstheatre.org/wp-content/uploads/2026/07/TankStranger_1584-x-386-px.png
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261009T193000
DTEND;TZID=America/New_York:20261011T170000
DTSTAMP:20260904T154935Z
CREATED:20260723T142342Z
LAST-MODIFIED:20260904T154935Z
UID:13035-1791574200-1791738000@truecolorstheatre.org
SUMMARY:Jitney
DESCRIPTION:Written by: August Wilson\nDirected by: Renzo Carbonera\nPresented by: Sardegna Teatro and La Piccionaia \nPresented in Italian with English supertitles \nOctober 9th – October 11th\, 2026Performances:Friday\, October 9\, 2026 @ 730PM\nSaturday\, October 10\, 2026 @ 230PM\nSunday\, October 11\, 2026 @ 230PM \nBUY TICKETSSynopsis:Pittsburgh 1977 \nIn the midst of the steel industry crisis\, for which the city is known worldwide\, five drivers\, Becker\, Youngblood\, Turnbo\, Fielding and Doub\, struggle to get by. Clinging nostalgically to the past\, while seeing only the dark outlines of an uncertain future on the horizon. \nIn the early decades of the twentieth century\, an alternative form of transport to buses and licensed taxis emerged in the predominantly African American neighborhoods of U.S. cities: the “jitney”. In those neighborhoods\, taxis did not circulate; they were too expensive and they refused to pick up Black passengers. The “jitneys” operated outside the boundaries of the law\, but provided job opportunities for people like our five protagonists\, while also offering an essential service to the community. \nAugust Wilson\, the most prolific and influential African American playwright of all time\, is being translated for the very first time into another language (Italian) and staged with an entirely Black Italian cast. \nThe stage set is minimal and abstract\, designed to focus the gaze on what is said and how it is said\, on the shades of meaning enriched by the actors’ double roles\, on the cinematic side lighting\, and on the projections displayed on two vertical\, smartphone-like screens. \nWhen Booster\, Becker’s son\, is released after twenty years in prison for murder\, a cathartic journey begins\, intertwining the language of the street with the syncopated rhythms of jazz and with the classical language of tragedy. \nCast:Miguel Gobbo Diaz(Becker/Shealy)Federico Lima Roque(Doub/Fielding)Marcos Piacentini(Turno/Booster)Rosanna Sparapano(Rena/Philmore)Tomiwa Samson Segun Aina(Youngblood)
URL:https://truecolorstheatre.org/event/jitney/
LOCATION:Southwest Arts Center\, 915 New Hope Road\, Atlanta\, GA\, 30331\, United States
ATTACH;FMTTYPE=image/png:https://truecolorstheatre.org/wp-content/uploads/2026/07/jitney_banner_2500x650.png
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